The T Shirt is 100% cotton pre shrunk Gildan 5000 shirt. 1 Middle Weight Contender; Comfy Men’s Short Sleeve Blank Tee Shirt. 100% Cotton. Strong double needle stitched neckline and bottom hem. Shoulder-to-shoulder taping. Quarter turned. Seamless collar The Digital Printed Transfer and will be placed centered on the t shirt If there are any questions are you need any help with the design please feel free to contact us we will try our best to answer message very quickly and we would love to hear from you. If you would like bulk pricing on any of our products please let us know and we can give you special bulk pricing.
The show is styled by the brilliantly irreverent Patricia Field, a woman who always wields the character extension of wardrobe with ease, but we have to talk about the frankly mad way Emily dresses. Her Parisian looks are a little on the nose: Emily in a sheer etching of the Eiffel Tower; Emily dressed as a Café Flore tablecloth; Emily as Audrey Hepburn at the opera. The rest of her wardrobe seems to be cribbed from a smooth TikTok algorithm. It’s almost like Field’s doing a sarcastic quip about Carrie Bradshaw’s penchant for pairing florals with aggressive accessories—a studded cummerbund on an Oscar de la Renta, a bouquet of roses as a bomber. The garments as individual pieces hold no malice—miniskirts and boots, a gingham short suit—but the way Emily’s ensembles are put together cheese-grates my eyes; it’s like all my apps are notifying me at the same time. The accessorizing is a blunt instrument, bludgeoning you with an Eiffel Tower charm, and whatever the look, your eye is drawn to a shouldn’t-work-and-doesn’t belt, a jarring circumference of leather. The styling has to be a deliberate plot device, surely? Will Emily transition from beret-wearing TikTok influencer into a beret-wearing chic French native? We have ten episodes to find out.
And that’s the rub with the show; something about it has gotten under our collective skin. The Internet is ablaze with people hate-watching episodes and bemoaning the ruinous treatment of Paris, the tacky clothing. Some TV shows make you feel safe, some are aspirational, some are windows to the lives of people on the fringes of humanity (I’m thinking of the true-crime phenomenon here). What we see in Emily in Paris isn’t aspirational, it’s achingly close to the lives we lead—all outfits and social media and witty puns to lessen our brags. The show pokes holes in how we all operate and we don’t like it one bit. It’s not only Emily who’s rendered Paris a caricature. Who among us has never Instagrammed a croissant? Or an outfit? Where New York was the fifth main character in Sex and the City, Paris is central to narrative ongoings. After a slightly exhausting, trés cliché, bingo-card of berets, baguettes, croissants, and Champagne, the Paris I keep in my head feels less vibrant. The show effectively whittles the Parisian lifestyle to a glib rotation of patisseries and soirees, a beige blanket over the city. The show challenges our universal Francophilia. There’s a rampant cliché that the French are chic and refined, and Emily—with her social posts that do staggering numbers in a matter of weeks—sees Paris the way so many of us do: picturesque and promising.
I don’t often cry while watching a basketball game, so Tuesday’s WNBA final between the Seattle Storm and the Las Vegas Aces was definitely a first. As the game entered its final minutes, and the Storm closed in on their second championship in three years, the ESPN announcers threw to the on-court reporter, Holly Rowe, to ask her about the personal sacrifices the players and coaches had made this season, living in a bubble in Bradenton, Florida, since July, and unable to have contact with the outside world or to see friends and family members. In a way, we’re all Emilys, endeavoring to construct a viral tweet that gets reposted by Macron. The transparency of her personal and professional mechanic is exposing to us all; the conversion of experience to Instagram posts is a universal system that we’re not keen to see reflected back. We’re all Emilys in deep denial, not so much bingeing the show, as purging our worst qualities.
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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